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John Rombola: Eclectic Eccentric

365: AIGA Annual Design Exhibition 30

Voices: An Exhibition of Darfuri Children’s Drawings

Everybody Dance Now: 20 Years of Dancing in Print

365: AIGA Annual Design Exhibition 29

Australian Graphic Design Association National Biennial Awards 2008 Exhibition

50 Books/50 Covers of 2007

Get Out the Vote 2008

Everyday Design: Great Finds from Around the World

idarg: Identidad Argentina | Argentinean Identity

365: AIGA Annual Design Exhibition 28

Publikum Calendar 2008

50 Books/50 Covers of 2006

Constructions and Reconstructions by Norman Ives

VIDAK

Suupaa Pop

365: AIGA Annual Design Exhibition 27

50 Books/50 Covers of 2005

The Spirit Illuminated: An Exhibition of Qur'anic Illumination

365: AIGA Annual Design Exhibition 26

50 Books/50 Covers of 2004

Grown in California

The Push Pin Graphic

365: AIGA Annual Design Exhibition 25

50 Books/50 Covers of 2003

Sensacional!

UCLA Masters of Graphic Design Catalog Covers

365: AIGA Annual Design Exhibition 24

365: AIGA Annual Design Exhibition 21

Art is Work: Milton Glaser retrospective

50 Books/50 Covers of 1999

Stripes & Stars: A Graphic History of an American Icon

Minnesota Design Show

Reputedly Illiterate: The Art Books of James Castle

Business Perspectives for Creative Leaders

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Al Bell

Ethan Bodnar and Charles Harrison

Stefan G. Bucher

David Butler

Elizabeth Coleman

Daniel Eatock

Carin Goldberg

Nick Law

Roger Martin

Marissa Mayer

Stefan Sagmeister

Command X: Season 2, Day 1

Command X: Season 2, Day 2

Command X: Season 2, day 3

20/20 presentations from “Make/Think”

Branding Obama

Facebook Design

Redesigning Coke

Wisdom of Communities

AIGA Design Conference 2007: Next

Presentations from Next: AIGA Design Conference 2007

Blaise Agüera y Arcas

Christoph Niemann

Janine Benyus

Marian Bantjes

AIGA Design Conference 2005: Design

AIGA Design Conference 2003: The Power of Design

AIGA Design Conference 2002: Voice

A Tradition Over Time: AIGA Design Conference, 1985-2003

AIGA Business and Design Conference

Gain: AIGA Business and Design Conference 2008

Gain: AIGA Business and Design Conference 2006

Gain: AIGA Business and Design Conference 2004

Gain: AIGA Business and Design Conference 2002

Risk/Reward: AIGA Business and Design Conference 2000

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Social Studies: Educating Designers in a Connected World

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response_ability

response-ability attendees

Massaging Media 2: Graphic Design Education in the Age of Dynamic Media

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Future History 3

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Image, Space, Object

Image, Space, Object 2008

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Image, Space, Object 2007

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Image, Space, Object 2006

Schedule

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Image, Space, Object 2005

Schedule

Speakers

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Image, Space, Object 2004

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Speakers

DUX: Designing for User eXperience

Designing for User eXperience conference (DUX2007)

Designing for User eXperience conference (DUX2005)

Y-Conference

Looking Closer: AIGA Conference on Design History and Criticism

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Verge: AIGA Seminar on Experience Design

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DFTV.002: AIGA Conference on Design for Film and Television

DFTV.002 Speakers

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INDEX: | AIGA Aspen Design Challenge

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Flux 09 Student Design Competition
Winners gallery now live!

AIGA/XCD: Celebrating the Role of Culture in Design

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AIGA National Design Center to host I.D. Annual Design Review exhibition in New York

Design Leaders optimistic about the design economy

Aspiring designers from diverse backgrounds awarded scholarships

AIGA national board welcomes new directors

Global design organizations partner to launch online community for sustainable design

AIGA juries select exemplary work in communication and book design

New documentary from lynda.com highlights the value and vision of AIGA, the professional association for design

Annual salary survey reveals opportunities for the design industry amid modest wage increases

AIGA hosts exhibition to celebrate diversity and inclusivity in the design profession

Design leaders confident of growth in the industry

AIGA awards Steve Frykholm, John Maeda and Jennifer Morla with 2010 Medal

AIGA membership elects new directors for national board

AIGA and South by Southwest Film Festival join forces to honor excellence in design for film

AIGA partners with F+W Media’s Design Community to promote design thinking

AIGA Design Archives site relaunched and digital annual released to expand reach and inspiration

Design leaders anticipate economic recovery

2009 press releases

Design leaders confident about economic rebound

AIGA exhibitions highlight the best in design this fall at the National Design Center

AIGA’s “Living Principles for Design” introduce quadruple bottom line for design and business

Aspen Design Summit pairs designers with nonprofits to solve social problems

Sixth annual AIGA Design Legends Gala celebrates design excellence and raises funds for the profession

David Butler of Coca-Cola to be among the stellar lineup at the AIGA Design Conference

Videos from “Make/Think” make insights and inspiration available to all

AIGA Design Conference gathers brightest minds to examine the role of design

INDEX: | AIGA Aspen Design Challenge awards $10,000 grant

Three writers selected to receive Winterhouse Awards for Design Writing & Criticism, to be presented at AIGA Design Conference

JetBlue and Patagonia to receive AIGA Corporate Leadership Award at the Design Legends Gala

Designers&rsquo confidence in economy springs back

INDEX: | AIGA Aspen Design Challenge finalists convene to refine projects

New AIGA leadership joins national board of directors; Debbie Millman assumes presidency

White House calls on AIGA members to help promote community service opportunities

AIGA announces the best in communication design and book design

AIGA maintains its position against speculative work while recognizing that the decision is up to individual designers

Designers’ confidence in economy bouncing back

Finalists selected in first annual INDEX:|AIGA Aspen Design Challenge, “Designing Water’s Future”

Design leaders’ confidence in the economy strengthens slightly

AIGA awards prestigious AIGA Medal to Pablo Ferro, Carin Goldberg and Doyald Young

2008 press releases

Accessible videos make insights from “Gain” available to all

Hundreds of design students across six continents race to solve the global water crisis

AIGA participates in summit to explore U.S. national design policy

AIGA Election Design Fellowship program renewed in Oregon and expanded to Washington

Design leaders’ confidence in the economy weakens substantially

AIGA recognized by IMLS for its role in design archiving and conservation

AIGA expands online archives to include items since 1924

Design leaders see a stronger design economy coming

Students develop solutions to global water crisis in AIGA’s first annual Aspen Design Challenge

Three writers chosen to receive third annual Winterhouse Awards for Design Writing & Criticism

Ballot design gains national attention, enabled by AIGA advocacy efforts

Five remarkable directors complete national board service

Design Within Reach and Harley-Davidson to be honored at AIGA Design Legends Gala

Leaders emerge and flourish at annual retreat

Orphan works legislation affects creative property rights

Designer leaders express concern about economy

AIGA advocates creative rights before Supreme Court

AIGA and Adobe partner to develop font collection for design education

AIGA and APDF enter into strategic alliance

AIGA co-publishes The Open Brand

AIGA purchases farm-friendly carbon offsets from NativeEnergy

AIGA awards 2008 Medal to Gail Anderson, Clement Mok and LeRoy Winbush

Design for Democracy: Ballot and Election Design sent to U.S. Senators and Representatives

AIGA endorses the Designers Accord

Design leaders expect design to outperform national economy in 2008

AIGA members champion postage stamp design

AIGA partners with NYTimes.com to present the Polling Place Photo Project

Past press releases

Designers count in 2007 Economic Census

Design Leaders Confidence Index drops in third quarter

AIGA and Denver Art Museum select AIGA Design Archives curator

2007 AIGA Election Design Fellow selected in Oregon

Recipients of the second annual Winterhouse Awards for Design Writing & Criticism announced, honored at Design Legends Gala

AIGA’s “Next” Conference Looks to the Future of Design

Martha Stewart Living Omnimedia and Samsung to be honored at AIGA Design Legends Gala

AIGA launches its redesigned website

AIGA Medal awarded to Fella, Lupton, Mau and Olden

AIGA and Domtar join forces on social and environmental sustainability

Announcing the Polling Place Photo Project.

Target, MTV Networks to be honored at third annual AIGA Design Legends Gala

Announcing the recipients of the first-ever Winterhouse Awards for Design Writing & Criticism

Peachpit releases Inside/Outside: From the Basics to the Practice of Design, Second Edition

"The Graphic Imperative" Exhibition:

Winterhouse and AIGA Team Up To Present First-Ever Design Writing Award

Design Archives Win SXSW Web Award

Peachpit releases Everyware: The Dawning Age of Ubiquitous Computing

2006 Medalists announced

AIGA Aspen Design Summit

Press kit

Jobs & Community

AIGA Designer Directory

Chapter spotlight

Career advice and resources

Improving Your Prospects

What is graphic design?

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Insights on writing your résumé

Ten common mistakes in résumés and cover letters

What designers must learn

A guide to internships

Graphic Design: A Career Guide

What is graphic design?

What designers need to know

Who becomes a designer?

What goes on in design school?

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Medalists

Gail Anderson

Samuel Antupit

Saul Bass

Lester Beall

Lucian Bernhard

Michael Bierut

Joseph Binder

Alexey Brodovitch

Robert Brownjohn

Matthew Carter

Ivan Chermayeff and Thomas Geismar

Seymour Chwast

Charles Coiner

Muriel Cooper

The Coynes

Bart Crosby

James Cross

Louis Danziger

Meredith Davis

Paul Davis

Sheila Levrant de Bretteville

Rudolph de Harak

Jay Doblin

Joe Duffy

Alvin Eisenman

Gene Federico

Bea Feitler

Ed Fella

Pablo Ferro

Colin Forbes

Martin Fox

Steve Frykholm

Steff Geissbuhler

Carin Goldberg

William Golden

April Greiman

Laurie Haycock and Scott Makela

Steven Heller

Walter Herdeg

Caroline Warner Hightower

Kit Hinrichs

Tibor Kalman

E. McKnight Kauffer

Walter Landor

Zuzana Licko and Rudy VanderLans

Leo Lionni

George Lois

Herb Lubalin

Ellen Lupton

Alvin Lustig

John Maeda

John Massey

Herbert Matter

Bruce Mau

Katherine McCoy

Philip B. Meggs

James Miho

Tomoko Miho

Clement Mok

Jennifer Morla

George Nelson

Georg Olden

B. Martin Pedersen

Cipe Pineles

Woody Pirtle

Chris Pullman

Silas H. Rhodes

Stan Richards

Paula Scher

Fred Seibert

Jack Stauffacher

Alex Steinweiss

Deborah Sussman

Ladislav Sutnar

George Tscherny

Edward Tufte

Rick Valicenti

Michael Vanderbyl

Massimo and Lella Vignelli

Lorraine Wild

LeRoy Winbush

Henry Wolf

Fred Woodward

Richard Saul Wurman

Doyald Young

Frank Zachary

Fellows

2008 Fellows

Reed Agnew

Antonio Alcalá

Joseph Bañuelos

Frank Baseman

Kenneth Botts

Scott Gericke

Paula Savage Hansen

R. Michael Hendrix

Tom Ingalls

Doug Kisor

MaeLin Levine

Christopher Liechty

Terry Marks

Ron Miriello

Jennifer Morla

Don Moyer

Art Paul

Jilly Simons

Grant Smith

Tim Smith

Jim Watson

2007 Fellows

Connie Asher

Archie Boston

Brad Copeland

Meryl Epstein

Joseph Michael Essex

Sheila Hart

Mike Hicks

Michael Hodgson

Shelly Langton

Tim Larsen

Aaron Marcus

Noel Martin

Eric May

Bob Morehouse

Elizabeth Resnick

Stephanie Nuria Sabato

Gordon Salchow

Mary Scott

Henry Steiner

Anne Traver

Michael Vanderbyl

Petrula Vrontikis

Corporate Leadership Award

Corporate Leadership Awards committee

JetBlue

Patagonia

Design Within Reach

Harley-Davidson

Martha Stewart Living Omnimedia

Samsung

MTV Networks, a Viacom Company

Target Corporation

The Gillette Company

Hallmark Cards, Inc.

Design Journeys Archive

Gail Anderson

Archie Boston

Andy Cruz

Charles Dawson

Aaron Douglas

Emory Douglas

Rafael Esquer

Karin Fong

Sylvia Harris

Lorenzo Homar

John C Jay

Steve A. Jones

Garland Kirkpatrick

Saki Mafundikwa

Chaz Maviyane-Davies

Pablo Medina

Rebeca Méndez

Bennett Peji

Samina Quraeshi

Edel Rodriguez

Art Sims

Lucille Lozada Tenazas

Michele Y. Washington

LeRoy Winbush

Maurice Woods

Design Journeys board of advisors

Artist Video Series

Mentoring essays

Design heroes

Frank Baseman on his many mentors

John Bielenberg on Don Bell and Michael Vanderbyl

Stefan Bucher on parents, mentors and the love of a good woman

Denise Gonzales Crisp on Kali Nikitas and others

Nikolaus Hafermaas on media and Mr. Kappes

Michael Hodgson on Willie Landels

Pat Hansen on Armin Hofmann

Eric Heiman on Richard Schoenwald

Kali Nikitas on Lorraine Wild

Clive Piercy on the Presentation Graphics Department at BBC Television

Hank Richardson on Mama Carrie

Stefan Sagmeister on Tibor Kalman

Mary Scott on Roland Young

Paul Tosh on Sarah Moore

James Victore on Paul Bacon

Doyald Young on his five mentors

Paying Your Dues Without Selling Your Soul

An Investment That Continues to Pay Me Back Every Day

Carpet Boy to Designer in Due Time

Designing for a Design Hero, Homage to Rafael Vinoly

Cyrus Highsmith on boss David Berlow

Marty Neumeier on Robert Overby

Full Plates

Good Design is Always About Paying Dues

Disco, Quiche & Hats

I Stopped Working for a Minute and Started Thinking

I Was Really Smart

Charles Goslin

On Paying and Paying and Paying and Paying Your Dues

Paying Dues for a Purpose

Paying One's Dues is How One Earns Self-Respect, and the Respect of Others

Paying Your Dues Without Selling Your Soul

Square-One All Over Again

Stay Up Late

The First Career Stages of a Young Designer

Working Smarter, Not Harder

Your Soul is Really All You Own

Reflections. Rewards. Regrets.

Introduction: The Elephant in the (Class)room

For In-house Only

Singing the Blues

My [Fill in the Blank] Career

The Most Obvious Client of All

Don’t Waste Time

Precious (Little)

Creating Something Out of Nothing

Cheese: A Story of Regret

The Quality Makers

Boundless Love of Branding

Regrets and Fist Bumps

The Quest for Knowledge

RE: Regrets, Reflections and Rewards

The Wide, Wide World of Graphic Design

Professional Resources

AIGA Standards of professional practice

AIGA|Aquent Salary Survey

AIGA|Aquent Salary Survey 2009

AIGA|Aquent Salary Survey 2008

AIGA|Aquent Salary Survey 2007

AIGA|Aquent Salary Survey 2006

AIGA|Aquent Salary Survey 2005

AIGA|Aquent Salary Survey 2004

AIGA|Aquent Salary Survey 2003

AIGA|Aquent Salary Survey 2002

AIGA|Aquent Salary Survey 2001

AIGA|Aquent Salary Survey 2000

Center for Practice Management

Forecasting Your Workload and Finances, Part One

Forecasting Your Workload and Finances, Part Two

In-house Design

In-house I.D.

Brand Blindness

Centaurs, RoboCop and the X-Men...

In-house Everyman

Innies and Outies

Processing the Process Process

Step Outside the Inside? Forget It

Can In-house Design Departments Be Respectable?

In-house In-conomics

What’s with the Attitude? Improving Employee-Manager Relations

Confronting Confrontation

Trust: How to Get It and Why You Need It

Running on Empty: Tips for Tuning Up Your In-house Team

Service or Servitude: The In-house Dilemma

How to Speak Every Internal Client’s Language

23 Ways to Get Fired

The Ins and Outs of Working In-house

Improving Your Prospects

Follow your passion and be the best at your craft

Be determined to succeed

See no boundaries

Work smart and prepare for a changing practice

To be a great designer, understand business

Be a designer, plus

Experience the world beyond your computer

Be a super-designer-renaissance person

Keep learning, keep giving

Five steps to living a remarkable life

What can designers do to improve their prospects?

Measuring Up: 5 Reasons to Hone Your Verbal and Written Skills

Measuring Up: 4 Reasons to Work Well and Play Well with Others

Get a Design Job!

A Concise Guide to Archiving for Designers

Designers Accord

Cross-cultural Design

9-11

AIGA XCD Presents "Branding in China" at World Trade Week NYC

America the Greedy

Anthony McCall and the Deleuzian fold

Art Director

Book Review: 12 Japanese Masters

China: Economic Powerhouse—and land of branding opportunities

Citizen Brand/Chapter 6

Class aptent taciti sociosqu ad litora

Cross-Cultural User-Interface Design

Cuba/U.S. Sharing Dreams

Cuba/U.S. Sharing Dreams

Cuba/U.S. Sharing Dreams

Cuba/U.S. Sharing Dreams

Cultural Dimensions and Global Web User-Interface Design: What? So What? Now What?

Design as Cultural Diaspora

Design as integral part of nonviolent political resistance

Design Education: Why Graphic Designers Need to Study Their Urban Environments

Design Expedition to China

Design Identity

Design in Lebanon

Designer

Designers and Social Justice

Designing Across Cultures

Designing Time

Encouraging U.S. graphic design students to learn about other cultures

Exchanges: Culture, Place, Identity, Memory

Expanding Our Field of Vision

Fabrica: Les Yeux Ouverts

Fat Fight: Visual Communication Addressing Obesity

Fine Art, Sí, Vandalism, No

Foreign Language Fonts

Freshly baked: U.S. students brand a Mexican panadería

Giant Canvas

Global Business Basics

Globalization and Design

Graffiti-research,preliminary description

Graphic Designers take charge of their own destinies

graphics designer

human communication

Icograda Design Week in Seattle

Icograda Design Week in Seattle

Icograda Design Week in Seattle

ICOGRADA Design Week Sao Paulo

ICOGRADA feature articles

Icograda: Leading Creatively

Identity Matters

International Design-Project

Interview with Robert L. Peters on netdiver.net

Interviews with Icograda Design Week Seattle Speakers

It's Springtime for Cross-Cultural Design in the U.S.

Living in an Urban World: How do Architects and Designers Collaborate?

Living in an Urban World: how do designers and architects collaborate?

Mi Buenos Aires Querido

More thoughts on Icograda Design Week in Seattle

mutlicultural maguage

No Sleeping Dragon

Over the Fence Seminar

Prove It: Why Design Sells

Question Everything

Royalty-Free Stock Images From Wonderfile

Sharing Dreams | Compartiendo Suenos at the Chicago Peace Museum

Shots Magazine: Advertising and Creativity Worldwide

Southeast Asian Design Reflects Diversity

Spirituality and Japanese Design Practise

Strange Attractors: reinventing the graphic vernacular

Students tackle global issues at Icograda Design Week in Seattle

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test title

The Black Aesthetic Revisted

The odd couple: social responsibility and profit

The Responsibilities of Design

Thoughts on Icograda Design Week in Seattle

What is Icograda?

You Are What You Watch

Why design?

Design:Business newsletter

2006 Design:Business archive

2005 Design:Business archive

2004 Design:Business archive

2003 Design:Business archive

2002 Design:Business archive

AIGA production partners

Kyoto Design Declaration 2008

Design for User Experience

Professional Practices

A Dozen Common Mistakes

AIGA Standard Terms and Conditions for Designer/Client Relationships

Common Struggles in Firms

Common Traits of Successful Firms

Design's Glass Ceiling

Copyright and Licensing

Design 2.0

Design(ing) Network(ing)

Inspirational Leadership

End of Year Bonuses

Managing Health and Safety in the Design Studio

Formal Feedback Programs

Spec Can Be Beaten

Ignition

Transition

Legal Structures for the Design Firm

New Challenges from the Lowballers...and What to Do

Payment Strategies

Scenario One

The Process of Setting Fees

Trademark and Trade Dress

What Should Designers Study?

Information Design

About Charts and Graphs

ASOTYPE: Animated System of Typographic Picture Education

Breaking Into Film

Designing for Understanding within a Context of Rapidly Changing Information

Information Design

Information Design

Information Design on the Web

Theory for Practice

Three Ways to Improve Financial Services Websites

Typography and the Aging Eye: Typeface Legibility for Older Viewers with Vision Problems

Understanding Numbers

Wonders Revealed: Design and Faux Science

Information Design = Complexity + Interdisciplinarity + Experiment

Illustration

André François

Ettiquette from the Heart

Illustration: Graphic Design’s Poor Relation

Milton Glaser Interview

Neue Illustration

Use of Illustration

What makes a good illustration?

Typography

Baseline Font Foundry Releases Catalogue of Types, First Edition

For Your (Typographic) Information: Initial Letters

Goodchild

If It’s Beautiful But I Can’t Read It, Is It Still Good Design?

Making Digital Type Look Good

Morphica

New from Adobe

New From Emigre Fonts

New from FontFont

New from MVB fonts

Spacing and Kerning

They’re not fonts!

Type Design Influences: Lloyd Reynolds, Hermann Zapf, Jack Stauffacher

Typeco first font of 2004—Super Duty.

Typeco releases it's third font family—Cypher.

Typeco second font of 2004—Gothic Gothic.

Venis Family

What's New from Fonts.com

What's new from ITC Conduit

Education

Design Educators Community

Worldstudio AIGA Scholarships

2010 results

2009 results

2008 results

2007 results

2006 results

Sponsor a scholarship

AIGA Design Educators Salary Survey

AIGA Design Educator Salary Survey 2007

AIGA Design Educator Salary Survey 2006

After School Special: Advice for Emerging Designers

Defining the Designer of 2015

Designer of 2015 competencies

Designer of 2015 trends

Designer of 2015 next steps

Designer of 2015 editorials

Designer of 2015 timeline

Mentoring guidebooks

Cumulus and AIGA

Design Ignites Change

Design programs

K-12 poster series

Bibliographies

Loop: AIGA Journal of Interactive Design Education

Announcing Loop: AIGA Journal of Interactive Design Education (Color)

Beatrice Santiccioli: Specializing in Color

Conversation on Sound

Corey

David Karam Variations: Designer, Programmer, Musician, Collaborator

Experiment in Sound

Hearing Type

Issue 3.0: Type: Letter from the Editor

Non-existent Design: Women and the Creation of Type

Software ≠ Interactive Design

The Order of Order

The Sound and Motion of Color

Type: Sean Adams

Transitions e-newsletter

Transitions, December 2004

Transitions, October 2004

Transitions, April 2004

Transitions, March 2004

Transitions, May 2003

Transitions, April 2003

Transitions, March 2003

Transitions, February 2003

Transitions, January 2003

Transitions, December 2002

Transitions, November 2002

Transitions, October 2002

Transitions, September 2002

Point: AIGA Colorado Education Journal

Design education

Aligning Design and Business Strategy

art Vs. design

Blurring Boundaries: Interactive Multimedia and Interdisciplinary Convergence

Cramming Conceptual Abilities into Design Curricula

Design Education in Korea

Designed for Business

Educating the hybrid designer

Graphic Design Family Values

Models of character

Newton as Graphic Designer

NextD Journal / Issue THREE

Plain Talk about Learning and a Life–in Design

Ranking Tips

Software Equals Interactive Design Education?

Survey Results Reveal What the Industry Really Expects from Graduates

Technology: Beast, Burden, or Blessing?

The Apple Core vs. Linear Logic

The Five Stages of Design Development

The New Battlefield

The Role of Writing in a Design Curriculum

The Thinking Designer

The Web, Express

Thinking about Design Education

Vision & Voice: Design Education as Agent for Change

Vision & Voice: Design Education as Agent for Change

Writing in the Margins: Learning to Think in a Design Curriculum

Design & Business

Design Business and Ethics

AIGA position on spec work

Archived: AIGA position on spec work (2007)

AIGA Standard Form of Agreement for Design Services

Gain: AIGA Journal of Business and Design

(Form + Content + Context) / Time = Experience Design

Five Things You Should Know About IT People

Time for change

Airstream: The 21st Century Trailer

And the Loser Is...

Changing the Look of Broadcast News

Chips & Salsa Charts

Go to the Customers of your Customer

Good Design in the Digital Age

Intellectual Property: What does "Work for Hire" mean for designers?

Lessons From Wal-Mart: Five Common Mistakes When Brands Cross Borders

Metamorphosis: metmuseum.org

On Brandology and Futures Research: An Interview with Andrew Zolli

Pricing Beauty: Reflections on Aesthetics and Value, an Interview with Virginia Postrel

Project Platypus: Reinventing Product Development at Mattel, An Interview with Ivy Ross

Shared Vision

Soul Branding(SM): An Interview with Elsie Maio

Supermodeler: Hugh Dubberly

The Artless Website: schwab.com

The Geometries of Sports Branding: An Interview with Thomas O'Grady

The State of our Contracts

Towards a General Theory of Value: An Interview with Michael Benedikt

Which Came First: The Packaging or the Advertising?

Why Designers Need Interfacers

Why Is it so Hard to Make Products that People Love?

Building Brand Value Through the Strategic Use of Sound

Outside the Box: The 2008 Scion xB Pre-Launch Campaign by Attik

Why a Project Manager?

Letter from the editor

Design Meets Research

Speak, Machine, Speak!

Sound Value: Creating an Audio Identity for Cisco

The Art of Discovering: An Interview with Scott Berkun

Design That Fits to a Tee

Blood, Sweat and Tiers: Building Optimal Brand Identity Architectures

Ever Notice?

Case Study: Rebranding Martha Stewart

Leadership Is THE Strategic Issue

Case Study: NPR.org

NPR case study images

Case Study: The Store at Grant Design Collaborative

Case Study: National Park Foundation micro site

Case Study: Durex “Get It On”

Case Study: AIGA Design Archives

Case Study: Yearbook Yourself

What Design Can’t Do

Confidence index

What every business needs

An ethnography primer

Society & Environment

Design for Democracy

Ballot and election design

Election Design Fellows

Election design tools and resources

Election design gallery

Ballot design samples

Ballot and polling place design guidelines

EAC project case study

Top 10 election design guidelines

Top 10 ballot design tips (for designers)

Polling Place Photo Project

Get Out the Vote project

Selected posters, 2008

Get Out the Vote 2004

Get Out the Vote 2000

Get Out the Vote 2008 Wrap-up

Government officials: Get help

Designers: Get involved

Design policy advocacy kit

The Living Principles for Design

AIGA China

Design policy advocacy

Recommendation to Obama transition team

AIGA recommendations for government support of design

Member responses to the 2000 election

Symbol Signs

Diversity

AIGA Atlanta Color Blind

Diversity archive and exhibition

Board of advisors

Universal Declaration of Human Rights

Inequality Matters

Disaster relief

Urban Forest Project

Center for Sustainable Design

Writing

Voice: AIGA Journal of Design

“Masters of American Comics”: An Interview with Exhibition Co-Curator Brian Walker

10 Anti-Buttons: Lessons in Design

A Shrine to Storytelling

A Truly Great Magazine Says Farewell

A War Overlong and Long Over

Acting Like a Character

Adrift in a Sea of Information? Decipher the Medusa Code

AIGA Launches Disaster Relief Task Force Efforts

An Instructor of Concern

An Interview with Rudy Vanderlans: Still Subversive After All These Years

Announcing Voice: AIGA Journal of Design (redux)

Anton van Dalen, Saul Steinberg’s Assistant

Architecture and Type: A Modern Marriage

Are We There Yet?

Art Against Riots

Art of the Vietnam War: The Vietnamese View

Art Spiegelman: The Sky Is Falling

Art, Censorship and Courage

Ask Doctor Design

Ask Doctor Design

Beneath the Surface: Iran’s Graphic Design Evolution

Beyond Small, Medium and Large

Blogs vs. Mags

Born in Mexico but Made in America

Bradbury Thompson’s Alphabet 26: A Font System for Early Readers?

Breakthrough: Scientists Find Emotions Influence Design

But I Digress

Card Culture

Censorship, Chinese Style

Conceptual Design: Building a Social Conscience

Confessions of a Design Entrepreneur: An Interview with Mitch Nash of Blue Q

Connoisseurship and its Consequences: An Interview with Mark Resnick

Creativity and the Sputnik Shock

Crimes Against Typography

Customizing Graffiti

Cut Through the Roaring Thunder with Your Swing!

Danger of the Desktop

Daniel Buren: Occupying the Page

Defining Style, Making i-D: An Interview with Terry Jones

Democracy on Paper

Design as Religion

Design Is the Cure for Medicare’s Ailments

Design Rockism

Designer's Matrix: Networking Real Space

Designers Don’t Read...Enough

Designing for everyware: An interview with Adam Greenfield

Designing for Interaction: An Interview with Dan Saffer

Desire Wants to Come Home

Dog In the Night

Educating with Comics

Elliott Earls’ General Incompetence

Explanation: Crutch or Catalyst?

Exploiting Stereotypes: When Bad Is Not Good

Eye in Focus: An Interview with John Walters

Facial Feedback Hypothesis

Fearmongering: The Brand

Fighting Words

Findability is ambient: Interview with Peter Morville

For Adbusters, Parody Pays Off

Freedom Tower Type

From A to Big Apple

Geek Chic

Graphic Design Is Immaterial

Graphic Masochism

Gulf Coast Report: One Year After Katrina

Gummy World: Thoughts on the Graphical User Interface

Has the Right Hand Lost its Cunning?

Henry Petroski: Most Advanced Yet Acceptable

Henryk Tomaszewski: Meeting the Master

Here Comes the Rooster: A Cocky Guide for the Graphic Designer

Hot and Bothered

How Books Are Sold

How Was It For You?

I Was Interview’s Layout Man

In Case of Attack

In Search of a Comprehensive Type Design Theory

In Search of Ethics in Graphic Design

Interview with Milton Glaser: Designing Light

Interview with Shepard Fairey: Still Obeying After all These Years

Is Graphic Design, Not Simply Posters, Museum Worthy?

It’s Good to Be Bad

Johnnie Walker Keep Walking

Just Do It! Tony Hendra on Designism

Kathy McCoy: Where Did All the PoMo Go?

Katrina Disaster Relief and Design Education

Letraset as Aleph

Letters as an Exposition: Signage of the York Interstate Fair

Letters as an Exposition: Signage of the York Interstate Fair

Letters at an Exposition: Signage of the York Interstate Fair

Lights, Camera, Helvetica

Line drawing

Little Nemo in Bookland: Interview with Peter Maresca

Local Lingo

Logos by the Numbers

Make Friends With FAST: The Volkswagen Fast Totem

Manuals for Dummies

Martha Stewart: When Good Things Come to an End

Museum Frames Strangeness Strangely

Myths of the Self-Taught Designer: The First Conversation between Ego and the Devil

Myths of the Self-Taught Designer: The Second Conversation between Ego and the Devil

Myths of the Self-Taught Designer: The Third Conversation between Ego and the Devil

Navigating Today’s Signs: An Interview with Mies Hora

New U? Unions have an Image Problem

No Design Student Left Behind: Strategizing Design Curriculum

Noah’s Archive: Old and Improved

Noah’s Archive: Why Designers Can Think

Noah’s Archives: What’s the Difference?

Noah's Archive

Noah's Archive: Taking Direction

Noah’s Archive: In Defense of Side Effects

Noah's Archive: Mark My Word

Noah's Archive: Mysteries of Pittsburgh

Name brands, off brands, house brands, brand Nu?

Noah's Archive: Remembering Henry Wolf

Not Your Grandparent’s Clenched Fist

Ode to Illustration

On Different Wavelengths: Cosmic Graphics

On Second Original Thought?

On the Heels of Litterbugs: An Interview with Justin Gignac

One Fate, Two Fates, Red States, Blue States

Online Pests Turn Smart: A Case for Research Blogs

Packaging Panels: Graphic Designs Add a New Twist to Comics

Pandora’s Car

Peter Saville: Creative Director of Manchester

Postinteresting

POTUS Typographicus: Appealing to the Baseline and George W’s Typographic Legacy

Power to the Paper: An Interview with Carol Wells

Propagandizing Propaganda: Interview with Aleksandar Macasev

Putting the Punk in DIY: An Interview with John Holmstrom

Red All Over: The Visual Language of Dissent

Red and Yellow Kills a Fellow

Redesigning a Symbol of Faith

Roy Kuhlman and the Grove Press Covers

Saving Jim Flora’s Private Stash: An Interview with Irwin Chusid

Sex and Outrage in Cartoonland

Shockvertising: a poke in the brain

Short History and the Longer View

Since When Did Children’s Books Have a Museum? Interview with H. Nichols B. Clark

Smoking Kills and That’s the Truth

Specialization and design

Specialization and design

State Department bans Courier New 12, except for treaties

Stefan Sagmeister: Style + Fart = Language

Still Subversive After All These Years

Survival of the Fittingest

Tastings

The Ad Nauseum Marketing of Von Dutch

The Art of Camo

The Art of Designer Biographies: An Interview Kerry William Purcell

The Birth of the User

The Bubble Project

The Bush Guard Memos

The Case of the Missing Swastika

The Color of Ribbons

The Copy Left Is Not Right

The D.I.Y. Debate

The Design of American Heraldry: An Interview with Charles V. Mugno

The Designer/Citizen

The Digital Past: When Typefaces Were Experimental

The Dreary Art of Presidential Elections

The Fall and Rise of Illustration: An Interview with Charles Hively

The History of Graphic Design and Its Audiences

The Language of Auto Emblems

The Last Slide Show

The Lucent Logo Legacy: Long Live the Big Red Donut

The Man Behind the Man Behind Oz: W. W. Denslow at 150

The Ministry of Fear

The Moment of Zen: The Daily Show and Product Development

The Myth of the Working Mom

The N Word

The New Shape of Chocolate: Mobile

The Prince and the Swastika

The Re-Skilling of the American Art Student

The Science of Stereotyping: An Interview with Elizabeth and Stuart Ewen

The Sleep of Reason Breeds...Design?

The Soft Soap on Soaponification

The Spirit of Will Eisner

The SPY that Came in from the Cold: Interview with Kurt Andersen

The Unsinkable Denis Kitchen

The Young and Not So Restless

Through the Past Knowingly?

Too Many Grads or Too Few Competencies? The Design School Dilemma

Visualizing a Revolution: Emory Douglas and The Black Panther Newspaper

Voices from the Storm

War Is Not Healthy: The True Story

What about Cartoons Makes People Mad? An Interview with Signe Wilkinson

What Color Is My Country?

What this Country Needs is a Good Five-Year Design Program

What’s So Special About Interests?

When Words and Images Collide

Which Is The Better Logo

Who Owns Intelligent Design?

Who’s Afraid of the Big Brand Wolf?

Why Collaborate?

Wolfgang Weingart: Making the Young Generation Nuts

Writing History: What We Have, What We Need

Design Life Now: Curating the National Design Triennial

Bookatainment: An Interview with Jim Heimann

Jack, We Hardly Knew Ye

Brand America: Of False Promises and Snake Oil

The Resistance: Designers and Clients Go Head-to-Head

The Original Night at the Museum: An Interview with Milan Trenc

Signage and Carnage in the Year of the Dog

Stamping the Beatles: An Interview with Michael Johnson

Man and WIHF

Design as Slow-Motion Train Wreck

Underground Comix Come of Age: An Interview with Kim Deitch

Playing for a Living: An Interview with Luke Hohmann

Rebel Without a Caslon: An Interview with Cyrus Highsmith

Ephemeral Art’s Lasting Impression: An Interview with Marc and Sara Schiller

Carnage for Kids

Big Deal on Big Boy Street: An Interview with Craig Yoe

Confessions of a Magazine Pervert

Feud Plus Fraud Equals Freud

The New Generation Gap: An Exploratory Conversation with John Carlin

Leaders Are Made, Not Born

A Scanner and a Mission: An Interview with Paul Ford

Ghost Rider: David Gross on Remaking a Motorcycle Brand

Is There a Doctor of Design in the House? An Interview with Meredith Davis

Fashion iCon: My Brief Interview with Steven Jobs

Reflections on the Art of the Put-on

Redesigning The New Yorker to a High Degree of Fussiness

Redesigning The New Yorker, Pt. 2: A Visual Critique

The Amazing Visual Language of Processing

His Second Life: An Interview with Paul Vjecsner

Staring at the Screen: The Halftone Comes to Light

The People’s Font: An Interview with Franz Hoffman

Snag

The Hand Is Mightier Than the Font: An Interview with Bernard Maisner

What Is Success?

Remembering Jeremy Blake

Whose Red Cross to Bear?

Waxing Chromatic: An Interview with S. Neil Fujita

From Alice to Aquaholic

Forever Skull

Where Is the (Brotherly) Love?

Get a Life

I Want My FredTV: An Interview with Fred Seibert

Across the Graphic Universe: An Interview with John Berg

X for All or Nothing

The Rarebit Fiend Dreams On: An Interview with Ulrich Merkl

Exceptional Command: An Interview with Nichelle Narcisi

A Foolproof Technique for Fooling Around

Research Lite: Design Research Made Easy (If Not Accurate)

A Graffiti Polemic

Comics Connoisseur: An Interview with Dan Nadel

Designer Snakes

Out of the Lab: An Interview with John Maeda

The Uses of Distraction

Lettering Grows in Brooklyn

Monkeying with the Magazine Business

This Is Not Only a Test

Ready for Your Close-up?

Design That Heals: An Interview with Alan Jacobson

Art and Propaganda

Rebuilding a Legacy: The Gastrotypographicalassemblage

Who’s Afraid of Noir?: An Interview with Richard McGuire

Off the Chart

If It Weren’t for Designers, I’d Be One

Graphic Convergence: Drawing Together Ed Fella and Geoff McFetridge

Belief in Yesterdays: An Interview with Rian Hughes

Devil in the Details: An Interview with Esther K. Smith

Desire’s Design

A Not-So-Sweet Tale of Digital Type

Design Patois

Words of Wool: An Interview with Rüdiger Schlömer

Better Too Late Than Never

Team Player: An Interview with Todd Radom

The Orphan Work You Save Could Be Your Own

Gone in Sixty Seconds

Power to the Panels: An Interview with Paul Buhle

How Not to Be Motivated

Smears and Straight Talk

American Icons: Or How Trade Characters Rule the World

Thank You for Not Smoking

We Design Stories: The Digital Fiction of Six to Start

Patches of Honor

The Olympics of Illustration: An Interview with Mark T. Smith

Elder Statesman of Comics

Manifesto Mania

Analyzing Terror through Imagery: An Interview with Nancy Hartevelt Kobrin

The Book as Transformer: An Interview with Zach Plague

Not in My Front Yard!

Hockey Moms Deserve Better (Design)

Westward Hoard! An Interview with Edward W. Nolan

Fireworks! Innocence! Nostalgia!

In Remembrance of Nathan Gluck: The Smile on AIGA’s Institutional Face

Ventures in E-publishing

Recrafting the Ordinary

Design You Can Bank on

Can You Spare a (Mercury) Dime?

Is There Anything Funny about Graphic Design?

The (Mostly) True Story of Helvetica and the New York City Subway

Getting Beyond the Surface

Unsecret Sharers

Bridging Cultures: An Interview with Nancy Ann Coyne

Krazy About K

Top Hats and Tales

Privatizing the Commons: The Commodification of New Deal Public Art

Writing 101: Visual or Verbal?

Examining The Printed Picture

Web Design as Foreign Language

The Nun’s Story

Smoke Screens

To Design or Not to Design: A Conversation with Allan Chochinov

Air Force One: The Graphic History

Design to Empower the People

Generation Squeezed

M Stands for Mobilize: An Interview with John Bielenberg

Digital as a Second Language

How the Web Made Me a Better Copywriter

Design Less, Think More

When Wood Trumped Metal: An Interview with Bill Moran

Young and Restless: An Interview with dress code

International Herald Tribune: Breathless in Paris

When Bad Things Happen to Good Logos

Stand Back for the Exploded View!

That’s the Ticket

Meshed Histories: The Influence of Screen Printing on Social Movements

Picturing the Pulps: An Interview with David Saunders

When the Future Was Young, and Cars Could Fly: An Interview with Brett Snyder

Where’s the Finish Line? Examining Success in Design

From Silkscreen to Silver Screen: An Interview with Eileen Yaghoobian

The Empathetic Fallacy

French Graphic Design: A Contradiction in Terms?

Speak, Designers

Making Books, 21st-Century Style: An Interview with Rick Smolan

Designed for Summer Reading

Band on the Run: An Interview with José Cabaco

Pantheon for a Flawed Species

When It’s Cool to Say Cool (and when it’s not)

Keep on Truckin’, with Caution

Motor Home, Know Thyself

Design’s Just Dessert

Imagination on the Couch: An Interview with Francis Levy

Harvey Kurtzman: Mid-century’s Mad Man of Comic Book Art Direction

Graphic Design Theory?

Another Side of Ladislav Sutnar

Committees Commit, Designers Design

Make/Think Sketchbook

Neurath, Bliss and the Language of the Pictogram

Naming Names for Fun and Profit

Blood Types

Answering the Call to Service Design: An Interview with Phi-Hong Ha

21 Writing Prompts for Design Students

A Modest Proposal: Customized Currency

Marking in L.A.: An Interview with François Chastanet

If Edith Wharton Had Facebooked

Four Things I’ve Learned About Designers

The Decade of Dirty Design

Where Value Lies

’Twas the Icon of Christmas

I.D. Magazine, 1954–2009

Google Me to the Moon

A Word to the Unwise

Setting Sights on the Arrow

History dans le Métro

The Salinger Legacy: Seeing Fiction

It's All Greek to Me

For Your Appropriation: An Interview with Rick Prelinger

The Measure of a Designer

Typographer at Law: An Interview with Matthew Butterick

Publishing in the Age of Digital Piracy

Dropping Out as a Disciplined Choice

Is Archer’s Use on Target?

@ Is @ MoMA @ No Cost

Order, Disorder and Notgeld

Symbolizing the Green Movement

Who Cares About Books?

The Scent of Memory: Design, Experience and Perfume

The Rabbi of Book Design: An Interview with Scott-Martin Kosofsky

Frontin’ vs. Keepin’ It Real: A case study for design education

Logos and Life

Back to the Start

Less Is Sometimes Enough

Be a Grand Inquisitor

The Mind Moves the World

Generation X-Wear: An Interview with Douglas Coupland

Babel Revisited

The Steady Hand of Vanessa Marzaroli

Sleight of Eye

Champion of Magazines: An Interview with Andrew Losowsky

Reflections on a Penguin-iversary

Souvenir as Art

Winterhouse Awards for Design Writing & Criticism

Jury

Topics and eligibility

Submission guidelines

FAQs

Sponsors

2009 awards

Sponsors

2009 recipients

2009 jury

2008 awards

2008 recipients

2008 jury

Benefactors

2007 awards

2007 recipients

2007 jury

Benefactors

2006 awards

2006 recipients

2006 jury

Benefactors

AIGA Publications and Design Press

The Curse of “Things I Have Done” Lists

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